This album is actually really good in a lot of ways. Too much reverb here and there, but not as intrusive as some other Swans releases (I used to be infatuated with Phil Spector and naively figured that adding reverb could get the same effect). Anyway, I think this album holds together well. It was a complete nightmare to make (but then, all the Swans albums were!).I lived in a tent in a mosquito infested studio right next to Cabrini Green in Chicago for what (?) something like 3 months, rarely leaving. Band members and Jarboe and Bill Rieflin etc came and went, and somehow we crafted this thing into what it became. I can still listen to most of this sometimes, so that counts for something. There's some reviews below if that's any help to you