"The title KOKON paraphrases the main essence of the plot and contemporaneously it's an allegory of one of this play's messages: Being put in prison in his own body, in a very small and reduced world. The idea behind KOKON was to make a play, which acts in a common box. Very elementary. Just a box without fixtures and colours. Just a monochrome box. This gave me the possibility to concentrate on very strong theatrical figures and characters. My main intention was to underline the gloomy drama of the story. Thus we had neglected all kind of comical and ambiguous elements, which for example had been part in some former Angizia plays. I didn't want to make something consciously "unfunny". No, every moment in KOKON is full of drama and all we did, all we wished to do and all we have played, spoken, elegized and shouted in the microphones was a drama, nothing else.