To the Highest Gods We Know is comprised of five tracks totaling in about 40 minutes of new music from Colour Haze, who have emerged as one of European heavy psychedelia's most influential groups. It was recorded to 2? tape at the band's own Colour Haze Studio in their native München with production and engineering by Koglek and Charly Bohaimid, and mixed analog on 1/4? tape by Koglek. It arrives just two years after 2012's expansive She Said (review here) and following reissues of earlier albums, 2000's CO2 and 2001's Ewige Blumenkraft (review here), and finds the perpetually progressive trio delving further into and beyond ideas presented on the last album, incorporating arrangements of flutes, strings, horns and nature sounds amid their own tonal warmth and vibrant live performance.