With their decidedly goofy name and album titles like Gangstabilly and Pizza Deliverance, it wasn't hard to read the Drive-By Truckers as a joke band early on, especially given their workmanlike but often unfocused mixture of Replacements-style slop and Lynyrd Skynyrd-influenced Southern rock, even if the occasional fine song suggested they had the potential for greater things. It wasn't until 2001's Southern Rock Opera that the DBTs finally managed to hit upon the right formula and began writing, singing, and playing like the great hard rock band they wanted to be as they pondered the political and cultural legacies of life in the Deep South. Once they finally cracked the code, they bacame one of the most consistently satisfying American bands of the new millennium, delivering a string of smart, impassioned albums that prove a band can be smart, hit hard, and speak with an accent at the same time. Between 2003 and 2008, the Drive-By Truckers recorded four studio albums for New West Records, and those albums provide the backbone of Ugly Buildings, Whores and Politicians: Greatest Hits 1998-2009, a compilation that offers an efficient overview of their career before jumping ship to ATO Records in 2010. While this collection offers one selection each from the DBTs first two studio albums (including "The Living Bubba," their first genuinely first-class song), this album really kicks into gear with "Ronnie and Neil" from SRO, and from then on it delivers a track listing not necessarily devoted to fan favorites or the group's most accomplished material, but to tunes that might well have been hits in an era where bands like this still got played on the radio, and in this context "Marry Me," "The Righteous Path," "Outfit," and "3 Dimes Down" sound like they should be blasting out of your car stereo right now. The album also allows the personalities of the group's three primary songwriters of this era to shine through -- Patterson Hood and his tales of decent folks living under hard times, Mike Cooley's wicked, often funny and sometimes bitter stories of rednecks long on pride and short on money, and Jason Isbell's thumbnail sketches of people caught between a blighted