The second Banco album is another in their series of classics and stands as one of my most treasured albums. In fact, Darwin! was the first Italian album I got, and once I got to the shuddering grooves of "Cento Manni E Cento Occhi," I was completely converted to the passionate, thundering sound that would characterize one of my favorite bands. It's all here, the dual keyboard tapestry of the brothers Nocenzi, trading off Hammond assaults, delicate, heart-wrenching piano runs and fire-breathing Moog themes, building together in unison to moments of unimaginable climax. Atop this are the always outstanding vocals of Franceso DiGiacomo, who comes crashing in with his operatic, distinctly Italian vocal prowess