Richmond, VA's Inter Arma, reigning masters of the slow build, continue to trace a distinctly ambitious trajectory through modern metal. Their impulses tend toward the epic, but never bloat; they meld several styles - doom, sludge, and hard psych - without coming off like dilettantes. This newest full-length, Sulphur English, finds them mining deeper in the proggy organic doom fields that made both Paradise Gallows and Sky Burial so thrilling while expanding further on the psych-folk strain that made those albums' peaks seem so lofty. Few metal bands have ever made such effective use of acoustic instruments in truly heavy environments as Inter Arma do; the acoustic guitar that stitches "Stillness" together is as effective as any overdriven bass; a two-minute gloomy piano-and-feedback piece titled "Observances of the Path" rolls out the carpet for "The Atavist's Meridian," an album highlight that rides a gigantic, roomy drum sound into realms akin to a murkier Paradise Lost, a more aggressive Om, and a dreamier, more stoned Kylesa all playing together at once.