Another Korean folk classic, that also features "best production and trip vocal." YOON YOUN SUN's beautiful, brooding vocals breathe hope where before there was despair; there are retro-60's touches that are reminiscent of French ye-ye music of the François Hardy, France Gall type--sultry, yet nurturing a languid innocence; this album by YOON YOUN SUN was released in Korea in '72 , which makes YOON YOUN SUN a contemporary of KIM JUNG MI, which is a good reference point; the record has several modes: there are duets with a male singer; the songs that groove the best (tracks five and six) occur when the farfisa organ gets involved; the second half of the record features complex arrangements (a few strings find their way into the mix). Full-color discography included.