Before Dan Fondelius came along after this record and Count Raven's movement towards something of an exact copy of mid-70's Black Sabbath, there is this, the band's debut. Sporting a different vocalist entirely in Christian Lindersson, this record comes off less like a direct tribute to Sabbath's more renowned era and something more along the lines of an album that borrows its sound from the mid-tempo doom rock of "Master of Reality" but with lighter punch of "Sabotage." There are some atmospheric passages in here that almost remind one of Sabbath's self-titled debut from 1970, even offering up a 1990 answer to the excesses of the 1980's political scene much like Sabbath's 1970 commentary on the flawed philosophy behind the 1960's counterculture movement.