On the more unique, if not progressive, end of things "Surround, Kill, Devour" throws a math rock-ish riff into an almost danceable groove with the result being a song that'll cock eyebrows before it opens up a pit. Prepare to witness participants bopping their shaggy heads and shimmying the COVID weight-gain on their hips instead of body checking one another into lunkheaded oblivion. This track has the distinction of being one of Cannibal Corpse's most outlying moments but is brilliant for the very reason that, despite the ledge they stride out on, it still sounds and slays like Cannibal Corpse. As well, "Bound and Burned" has little bits of Voivod angular weirdness nipping at the edges of a spinning miasma of fast-and-faster riffs before the interjection of lead guitar wails that, above all, hook into the listener's noggin' like rusty earworms. For more traditional fare, there's "Follow the Blood" which early on lurches like a meat grinder at mid-pace before rocketing off into a wiry thrash that bridges 21st-century death metal with 1985 Exodus and Slayer with some prog-rock bass noodling thrown in for good measure. "Slowly Sawn" is (or will be) the song they use to teach advanced classes in headbanging at a slow and deliberate pace while the world of guitars, bass, and drums converges around you to judiciously crush every cell in your body in stages totaling its 3:31 running time. Excellent bits of fusion influence in the solo and the unresolved finish to the track as well, dudes! Then there's "Overtorture" which is possibly the band at their consistent start-to-finish fastest. After this many years, and also considering it's the album's penultimate track, that they can deliver the amount of death metal mayhem as this single song does says much more about Cannibal Corpse's power as a unit, the unwavering brightness of their future and just how much more difficult they've made it for themselves to construct a fair and balanced set list representative of all eras and albums.